croton Fiction
The croton was known for his activities, by their dress and their communication codes. Belonging to a nomadic subculture, began to explore ways and paths, a territory -The railroad-forty-five thousand miles long by fourteen feet wide, long and narrow country of crotos. Official calculations estimate that between the '30s and '40s, a mass of three hundred thousand crotos ran the railway line. They are therefore known as the swallows returning after harvest, or lingheras / atadito linyeras-name clothing they wore. Your way to resist: a stubborn determination to defend their individuality in times when everything is already crowded and impersonal. While there are medieval legends about the Land of Cockaigne "closer to the popular utopia Bakhtinian carnival-and backgrounds goliardic poetry, literature Argentina narrative variants will begin in Europe in the second half of the nineteenth century. The history of poverty and its phenomena coalescing, hunger, misery, declassment, social declassification had a significant space, as well as the miserabilism and melodramatic expression. Galvez and Almafuerte line through Boedo, Castelnuovo and Tuñón, are organized into two sequences, the forms of the popular novel: on one hand, secular and proletarian misery, the relationship of employee and employer, unemployment The strike, insurrection, on the other, the misery Christian pietism, philanthropic concerns. The case of croton is different. It is believed that a governor of Buenos Aires, José Camilo Croton, provided that travel in the province, for free on freight trains, those homeless people who went to work the harvest in the country. Since then, they were called crotos. This nomadism is a long history in the Argentine pampas, and once wired the fields, the gaucho becomes vague and poorly entertained. Not surprisingly, then, that the bible is crotos "Letter Gaucha" Luis Woollands (John Crusao) that defines all ethics and aesthetics. Roaming BOINC writing machine. We know this flanerie and popularizing it did Walter Benjamin. Renewable fuel croton trip, the real journey of bum is, perhaps, a journey of escape. And this fiction is set in croton, migrants deterritorialized, especially railway scenery at the confluence of wandering and militancy, a vocabulary, observation and learning from nature, the mobile libraries and fellowship. This world has disappeared and almost no witnesses, although not rejecting Argentina literature. In fiction, directly, John Fillion, Bernardo Kordon, constitute one probable universe crotyl and vagabond, in some stories and novels, indirectly, Julio Cortázar, citing Filloy, with its Parisian clochards Rayuela.
Gustavo Calandra
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