"and I'm happy as long as it
was removed by standard."
Pier Paolo Pasolini, La religión de mi tiempo
Encuentro una nueva forma de divinidad en cada una de las obras que me interesan. No es por insistir, o quizás si. Pero quizás sea un deseo contenido dentro de mí que se expresa en todos mis escritos: se necesita una nueva forma de creer. Y el problema de la fe es hoy uno de los temas centrales aunque todos quieran mirar para otro lado.
En el documental Jesus Camp. Soldados de Dios se muestra una tarea de aleccionamiento por parte de unos evangelistas hacia unos niños que, vestidos como militares, danzan, gritan, lloran y bailan. Todo de una manera desastrosamente extática. Estos evangelistas relacionan directamente, without any mediation logic, the idea of \u200b\u200bloving God with the war in Iraq and reject a book for publishing the witchcraft, this book is Harry Potter . Fools are everywhere, but it seems more in the U.S.. Or maybe the crazy Americans have a symbolic scaffolding fools of our country do not have. Those here remain in a simple gesture of opposition to ... without dislodging an idea of \u200b\u200bthe head, although it is crazy (this can be seen in opposition were as frigid that certain Members positioning against gay marriage.)
But beyond these borders of allocations of religions believe it is necessary to believe in something. These beliefs dye our options, also the aesthetic, and perhaps I can, someday, work quietly, without calling into question both how the symbolic world constructed that each can experience in your body and if you have enough weapons, which can be translated into deeds art.
Pasolini, perhaps, may be the key to finding a way out of religion, as understood by the Vatican. In the book Divine Mimesis presents the truncated rise to a mimesis in reality, not as real but as divine space. In this ascent will encounter with different characters. The remembrance of title to two books that work the problem of divinity is too obvious. Recall Chapter "The scar of Ulysses" Mimesis Auerbach which opposes the one hand, work with language in the Greek epic, which produces a surface survey, ie the plot unfolds from objects and characters and their living and travel around the world (much like what, poetry Argentina in the eighties, called objectivism but with the dynamism that this poetry was not always so faithful to the fixed object static) and on the other hand, work with language in the Jewish epic, which produces an in-depth tour, where it does not matter so much the actions of the characters, but how deep cove word God (like a blade that produces a cut in the body) in men who are persecuted by other men. In this sense, the Bible has an awareness of the multiplicity and the opacity of the word The Iliad and The Odyssey nots. In the nineteenth century, Gustave Flaubert wrote to Louise Colet one of her many love letters:
"No, I'm an old man! The old men were not nervous diseases, as I am not you are the Greek , or Latin, are beyond: the romance has gone out there. Christianity, but want to deny it, has come to enlarge this, but spoiling, introducing the pain. The human heart is not enlarged but you tear a leaf. "
The idea of \u200b\u200blove, and not platonic, but linked to pain, as this author, is the cause of Christianity (we could say that it is also because of the Baroque he saw at the time of communion an act of cannibalism, now we eat a finger of Christ or one of his intestines ... and be renewed when Perlongher explain one of his stories were collected in Papers refuseniks is the neo-baroque textual-sexual slashed in the body).
After all these historical landmarks, can we be so naive to turn the page and say "God is dead", lobotomized of that way? We believe it is necessary to commit suicide. The belief has more to do with a floor from which to guide our lives that a well-established paradigm dictated by the Vatican. Perhaps we might call prejudices, beliefs, symbolic level or whatever you call, do not care. That's right.
Finally, I would add that one person in a fiction, went on to write that world where God really was dead. That was Héctor Libertella in Saussure Tree: World Utopian but chilling, where this is eating all the time and were only subjects with no history, sleepwalking, which can only be defined by a bottom o arriba de un árbol, el de Saussure.
Mariano Massone
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